Piano playing requires the involvement and simultaneous coordination of many different parts of the brain and the mind.1 The aural center forms an image of the way a piece should sound—a goal for performance. Motor processing directs the arm, hand, and fingers in controlling the piano keys. Visual and reading processes are required for decoding mus...

Managing Stage Fright: A Guide for Musicians and Music Teachers, by Julie Jaffee Nagel. Julie Nagel possesses a rare combination of skills. She has two music degrees from The Juilliard School, three psychology degrees from the University of Michigan, and further training at the Michigan Psychoanalytic Institute. I often joke with stu...

(S3-4) Big Phat Jazz Piano Solos: 10 Big Phat Band Classics, arranged by Gordon Goodwin.(S3-4) If you're not familiar with the name "Gordon Goodwin," you probably haven't played in a high school jazz band in the last fifteen years or so. Goodwin's music has achieved near ubiquity in the jazz ed...

At first glance, the scope of this issue's topic may seem limited. The majority of readers are independent teachers working with students before they leave for college. The percentage of their students who major in piano is small. However, the following articles by Dr. Timothy Shafer and Dr. Sylvia Coats contain valuable information and insights fo...

Asking what role the eyes play in sightplaying is like asking what role a steady pulse plays in rhythm. The eyes, of course, are central to any consideration of sightplaying. Our respondents, wisely acknowledging that there is much more to fluent sightplaying than eye skills, offer some useful thoughts about this part of the equation; we will deal ...