Gurlitt: Aus dem Norden, Op. 130, No. 21

Gurlitt
Preparation and Presentation  Pieces that are helpful to have experienced or played before approaching this one. Kohler: Etude in F Major, op. 190, no. 27Diabelli: Vivace in C Major, op. 125, no. 7any pieces that involve playing a LH broken-chord accompaniment against a lyrical RH melody, in either 3/4 or 3/8 Creative activities to explore bef...
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Thomas
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Tuesday, 24 November 2020 04:25
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Clementi: Sonatina in C, Op. 36, No. 1, I. Allegro

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Preparation and Presentation  Pieces that are helpful to have experienced or played before approaching this one: Lynn Freeman Olson – Beginning SonatinasNancy Faber - Classic Sonatina in C MajorDennis Alexander - Simply SonatinasTheodore Latour - Sonatina No. 1 in C MajorThomas Attwood - Sonatina in G Major Creative activities to explore befor...
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Burgmüller: Ballade, Op. 100 No. 15

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Preparation and Presentation Pieces that are helpful to have experienced or played before approaching this one: Burgmüller - ArabesqueRossi - Atacama DesertAtwood - SonatinaKabalevsky – Clowns Creative activities to explore before the first encounter with the score, to prepare a student for deeper engagement and more immediate success: What is a Ba...
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Kabalevsky: Clowns, Op. 39

clowns
Preparation and Presentation Pieces that are helpful to have experienced or played before approaching this one: Beethoven - Ecossaise in G Major, WoO 23Niamath - Playful PuppyNiamath - Penguins Creative activities to explore before the first encounter with the score, to prepare a student for deeper engagement and more immediate success: Learn the L...
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Kabalevsky: Clowns, Op. 39, No.20

Kabalevsky: Clowns, Op. 39, No.20
Preparation and Presentation Context: pieces that are helpful to have experienced or played before approaching this one Beethoven - Ecossaise in G Major, WoO 23Niamath - Playful PuppyNiamath - Penguins Get Ready: creative activities to explore before the first encounter with the score, to prepare a student for deeper engagement and more immediate s...
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September/October 2018: Pupil Saver

From the "Motivating Bookshelf Logan is sitting on the piano bench, his mother behind us. Logan and I are discussing repertoire for both short- and long-term goals. Logan is in soccer, tennis, robotics, piano, violin, and a plethora of church activities. Following a polished performance of "The Little White Donkey" from Jacques Ibert's Histoir...
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Deciphering Chopin’s shorthand in the posthumous Mazurka in F minor

If someone had told me a decade ago that I was going to produce the first (and, so far, only) published reconstruction of Chopin's posthumous Mazurka in F Minor that includes every uncanceled measure of the composer's sketch, I would have laughed. But apparently when a performance opportunity inspires a research obsession, unexpected things can hap...
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Performing Chopin in the style of Chopin?

Interest in historically-informed performance continues to evolve as scholars and serious-minded pianists gain more knowledge regarding nineteenth-century performing styles. Though much progress has been made in this field, a question still remains: Is there a definitive performance practice that enables pianists to play the works of Chopin in the ...
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Touching Debussy, Teaching Alchemy

faries-are-dancing The Fairies are Exquisite Dancers, Illustration in 'Peter Pan in Kensington Gardens' by J.M Barrie
Sound is touch at a distance. Jad Abumrad, from Radiolab "Sound is touch at a distance." I heard this quote at a recent talk given by Radio Lab creator, Jad Abumrad, and I couldn't get it out of my mind. Over and over it repeated itself. Mothers sing to babies after they put them down as a way of continuing physical contact, Jad told us. So, i...
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Elizabeth Medici
Wonderful discussion of Debussy's elegant and refined style that gives us so much emotional freedom at the piano. It is also a ver... Read More
Thursday, 12 July 2018 10:22
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First Debussy piano pieces with pedagogical advice

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Claude Debussy was a person of great restraint and even considered elusive by some. He was not concerned with the technical issues of a pianist, and yet was highly attentive to the quality of a pianissimo and its relationship to softer or louder levels of sound. We know his playing generally did not reach a forceful fortissimo. He cared less about ...
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Connections between the music of the United States and Claude Debussy

Debussy_1900
It has been more than one hundred years since Claude Debussy was composing masterpieces that were part of a general revolutionary movement that challenged European musical traditions. Debussy was looking for ways to distinguish himself as unique and French, while at the same time using sources from other countries. He found inspiration in varied an...
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July/August 2018: Pupil Saver

Preludes-picture_edited-1
A grand setting for C minor by Carmen Doubrova Some students diligently practice their repertoire pieces, but are less enthused about scales and exercises. Fortunately, long ago, I discovered Ballade from Betty Colley's early-intermediate collection Styles for Piano (Kjos). This piece is a brilliant study of the natural minor scale. The C-mino...
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Linda Mannering
Hello Carmen, Thank you for this article. I cannot find Betty Colley's early-intermediate collection Styles for Piano (Kjos) or ... Read More
Saturday, 21 July 2018 09:33
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May/June 2018: Pupil Saver

Ibert-
 Got a Pupil Saver? We love to hear from you. If you are interested in submitting your Pupil Saver for consideration, please contact Susan Geffen at This email address is being protected from spambots. You need JavaScript enabled to view it. I have an advancing student who is really interested in playing French music. Although I decided to steer away from Debussy for the moment, I remembered that French c...
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Why don't you come out of the pantry? Is left-handed piano music anything more than just a historical curiosity?

pantry
Why should a pianist with both hands in perfectly working order bother to devote their time and energy to study—not to mention perform—compositions or arrangements for the left hand alone? Is there any value in exposing oneself to that obscure genre? And what if you actually have some inclination towards it, but a...
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From Schumann to Schoenberg

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Cover: Blaues Selbstportrait, 1910 by Schoenberg Breakfast was not a good idea before tackling measures seven and eight that featured sixty-fourth notes and tremolos, as well as a meter shift from 6/8 and 3/8 to 2/4, among other mind-bending directions. Is playing music meant to induce nausea?  At age ten, I took one year of piano lessons. Ado...
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Rhonda Blinne
Interesting article...demonstrating that “age” need NOT be a deterrent is starting (or resuming) music making!
Thursday, 27 August 2020 10:09
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March/April 2018: Pupil Saver

Got a Pupil Saver? We love to hear from you. If you are interested in submitting your Pupil Saver for consideration, please contact Susan Geffen at This email address is being protected from spambots. You need JavaScript enabled to view it.  Pikes Peak Rag by Melody Bober Sometimes, a jaunty little rag is just what students need to rejuvenate their musical juices. Melody Bober's thirty-measure early-inter...
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Celebrating the 100th anniversary of women's suffrage

Suffragists_Parade_Down_Fifth_Avenue_1917
 In March of 2017, I had a delightful experience that I thought I'd share with you, and as a result, introduce you to some exciting and marvelous music you may wish to explore further. In 1917, women were given the right to vote in New York State. Three years later, on August 18, 1920, the Nineteenth Amendment granting women the right to vote ...
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DIGITAL-ONLY CONTENT: Music for the intermediate pianist by eight women composers

Elisabeth_Jacquet_de_La_Guerrehead
Editor's note: This is a companion piece to the January/February 2018 article, "Women of exceptional accomplishment: Eight women composers" by Teresa Rupp, found here. Anyone who thinks there is a lack of piano music by women composers from previous centuries hasn't looked too hard. Take the music of these eight composers as a great example. M...
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Alice Peterson
Gail Smith's Women Composers in History music collection is a mainstay in my studio alongside the Maurice Hinson edition, as are ... Read More
Sunday, 20 October 2019 14:12
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Winning essay from the 2017 Clavier Companion Collegiate Writing Contest

collegiate-competition-winner
In the Spring of 2017, Clavier Companion sponsored its ninth annual Collegiate Writing Contest, inviting college students from around the world to submit 1,500 word essays on a pedagogical topic of their choice. We extend our sincere thanks to professors Gail Berenson, Pamela Pike, and Suzanne Schons for serving as adjudicators for this year's cont...
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Jan/Feb 2018 Pupil Saver - Nocturne by Catherine Rollin

Pupil Saver
Nocturne from the collection Spotlight on Romantic Style by Catherine Rollin (Alfred) is an accessible and motivating piece for the intermediate pianist. My first encounter with Rollin's music was her Concerto Romantique when I was searching for a first concerto for a piano student. I was, and continue to be, impressed with how captivating her musi...
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About Piano Magazine

Piano Magazine is the leading resource for pianists, piano teachers, and piano enthusiasts. We bring you informative, interesting, and inspiring ideas on all aspects of piano teaching, learning, and performing. The official name of Clavier Companion magazine was changed to Piano Magazine in 2019.

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