To explore more content, please use the search bar or return to the homepage.

The recorded legacy of Claude Debussy

cm1 Mary Garden in the role of Mélisande (see endnote 1)
0
  371 Hits
  0 Comments
371 Hits
0 Comments

Jan/Feb 2018: First Looks: Recordings

First-Looks
  Nyman: Complete Piano Music Jeroen van Veen, piano Brilliant Classics 95112 [Total Time 1:50:45] brilliantclassics.com Prolific Dutch pianist-composer Jeroen van Veen presents all of Michael Nyman's existing solo piano music. Many will recognize Nyman (b. 1944) as composer of the soundtrack for the 1993 award-winning film The Piano , and—of ...
Continue reading
0
  22 Hits
  0 Comments
22 Hits
0 Comments

Recording Beethoven’s Piano Sonatas in the 21st Century: An Interview with Steinway Pianist James Brawn

IMG_0424

The great pianist and conductor Hans von Bülow once called Beethoven's 32 piano sonatas the New Testament of music. This bold declaration foreshadowed the lofty status Beethoven's Testament now holds in the Western canon of classical music. It also set the stage for an impressive lineage of recordings, beginning with the first-ever complete cycle by Artur Schnabel—the celebrated Austrian pianist known to Harold C. Schonberg as "the man who invented Beethoven." Among those who followed in Schnabel's footsteps are some of the greatest pianists of the 20th and 21st centuries—Claudio Arrau, Vladimir Ashkenazy, Wilhelm Backhaus, Daniel Barenboim, Alfred Brendel, Annie Fischer, and the list goes on—and so it comes as no surprise that many pianists today treat this massive undertaking as a right of passage.

In one sense, however, it's also dangerous to enter the company of such esteemed colleagues. How does one "compete"? What new can be "said" of music that has been a staple of the repertoire for so long? These are some of the questions facing Steinway Artist James Brawn as he continues his Odyssey—now half finished—to record von Bülow's New Testament.


Your project invokes a monumental legacy of inspired Beethoven interpreters. Do you feel the weight of history on your shoulders?

While it is true there is a great historical legacy of recordings, the only pressure I feel personally is to do these piano sonatas justice and play them as faithfully as I am able. The works of the great composers, like Beethoven, are such a privilege to study and perform, and I feel very lucky to have the opportunity to record this cycle for MSR Classics.


As an artist, do you draw on the work of those who came before you? Or are you a lone wanderer?

Perhaps I'm more of a lone wanderer, in the sense I've always done my own thing and in my own time. Certainly when I was a student—until my early twenties—I was influenced by my teachers, as well as recordings and performances by great living pianists. So at that time, there was always someone looking over my shoulder, so to speak. But for the last twenty years I've managed to focus on music that I can't live without. The Beethoven sonatas have become extremely important to my being, and communicating this personal passion in recital, recording, and teaching is the inevitable outcome.

Continue reading
0
  2320 Hits
  0 Comments
2320 Hits
0 Comments

Practical tips for video recording your teaching

video-litterst-sick-article
What app(s) do you use for recording video on your smartphone or tablet? Stella: On my Android phone and tablet, I usually use the app that comes with the operating system. The various makers of Android devices (Samsung, Motorola, etc.) each provide a video recording app for their devices. Although the app that you get from each manufacturer is dif...
Continue reading
0
  14 Hits
  0 Comments
14 Hits
0 Comments

Committed to Record: An Appreciation of Walter Legge

Committed to Record: An Appreciation of Walter Legge
We now take it for granted that we can walk into a store and find multiple recorded interpretations of the great musical masterpieces, make a few clicks on a computer to order CDs online, or hear a variety of performances on YouTube and other websites. It is hard to imagine a time when recordings of the standard repertoire didn't exist at all. That...
Continue reading
0
  24 Hits
  0 Comments
24 Hits
0 Comments

About The Piano Magazine

The Piano Magazine is the leading resource for pianists, piano teachers, and piano enthusiasts. We bring you informative, interesting, and inspiring ideas on all aspects of piano teaching and learning.

Follow us on

Terms of use

Have Questions?

We are happy to help.

Editorial questions? This email address is being protected from spambots. You need JavaScript enabled to view it.
Advertising questions? This email address is being protected from spambots. You need JavaScript enabled to view it.
Subscription questions? This email address is being protected from spambots. You need JavaScript enabled to view it.
Technical questions? This email address is being protected from spambots. You need JavaScript enabled to view it.
Cron Job Starts