Rebecca is in her senior year of high school. She is a lovely person who is a talented artist and is also a good pianist. Rebecca leans probably more toward art than music, thus her playing level has stayed around late intermediate to early advanced. Finding music for her that sounds difficult and appealing is often a challenge. At her most recent ...

My student Katie, 17, enjoys playing the piano as much as she loves playing soccer. From what I hear, she is an aggressive, risk-taking soccer player. The same could be said for her piano playing: she is adventurous with tempo and sometimes  aggressive with sound. I needed a piece that would both capitalize on Katie's strengths while  enc...

From the "Motivating Bookshelf Logan is sitting on the piano bench, his mother behind us. Logan and I are discussing repertoire for both short- and long-term goals. Logan is in soccer, tennis, robotics, piano, violin, and a plethora of church activities. Following a polished performance of "The Little White Donkey" from Jacques Ibert's Histoir...

  Got a Pupil Saver? We love to hear from you. If you are interested in submitting your Pupil Saver for consideration, please contact Susan Geffen at This email address is being protected from spambots. You need JavaScript enabled to view it. I have an advancing student who is really interested in playing French music. Although I decided to steer away from Debussy for the moment, I remembered that French ...

Once again, my high school student—who seems to be involved in every activity possible—needed a unique piece. I had in mind what I wanted: The piece needed to be fairly short, patterned for quick and easy learning, impressive, and infrequently played (that last requirement was more for me than for the student). I found the perfect piece, Austr...

A cheerful and dependable flower  by Adrienne E. Wiley I love finding new pieces for my students! One of my pupils is ready for character pieces; she is playing late-intermediate literature, and I wanted to find something besides the rather frequently used— although rightly so—Schumann, Gurlitt, Heller, Streabbog, and Burgmüller pieces. I...

Finding interesting late-intermediate literature can be a challenge. In addition to teaching the repertoire standards, I always look for something a bit more out-of- the box, quite often a contemporary composition. I find that the  contemporary music of Dianne Goolkasian Rah bee fits my needs perfectly, and her two sets of preludes provide a w...

Finding interesting late-intermediate literature can be a challenge. In addition to teaching the repertoire standards, I always look for something a bit more out-ofthe box, quite often a contemporary composition. I find that the contemporary music of Dianne Goolkasian Rahbee fits my needs perfectly, and her two sets of preludes provide a wealth of ...

I am often confronted with the need for intermediate literature that will not only motivate students, but cover up any deficiencies they might have (I am sure we have all had this experience). Case in point: I had a transfer student who could barely sight-read, which made learning every piece take forever, and proper technique, hand position, and p...

M elody Bober's multivolume set of Grand One-Hand Solos for Piano (Alfred) offers some really cool pieces for the intermediate-to-late-intermediate pianist.  ​Although they are written for one hand (either right or left), the compositions are interesting, musical, and highly motivational. Many teachers will use this collect...

My mother, who is also a piano teacher, enjoys finding and buying piano music for me —even to this day—and she usually finds really great stuff at her public library. Go figure! "Pizzicati" (a polka from the ballet Sylvia ) was one of her recent finds. Written by Léo Delibes and arranged by Hans-Günter Heumann, this piece of music was on the top of...

Norman Dello Joio's Simple Sketches  (Edward B.Marks/Hal Leonard) provides a rewarding musical and technical challenge for the late-intermediate student. The collection contains three fairly short pieces, the first of which, Allegretto, is my favorite to teach. For some students, the quirky tonality—a trademark of Dell...